Hideaki Anno made this in university as a one-off college screening using nothing but paper, and somehow it moves with more personality than most professional productions. The constraint becomes the point, every frame is deliberately, aggressively hand-drawn in a way that modern anime forgot how to do. Watch it to understand where Anno's obsession with craft came from before he had the resources to destroy himself perfecting it.
A bus stop becomes the unlikely stage for absurdist comedy in this experimental short. Hideaki Anno constructs his vision using paper animation, a deliberately lo-fi technique that transforms mundane waiting into something wholly unexpected. Characters gather at the station with ordinary intentions, but their interactions quickly spiral into the ridiculous. The humor emerges from the collision between everyday routine and complete chaos, where logic takes a backseat to pure visual gags and surreal scenarios. The paper-cut aesthetic lends a peculiar charm to the mayhem, making each frame feel handmade and intimate despite the anarchic energy. Viewers seeking conventional narrative structure will find none here. Instead, this piece operates on the frequency of undergraduate experimentation, embracing accident and improvisation as features rather than bugs. The result feels like watching someone's fever dream at a public transit hub. Comedy derives not from punchlines but from the sheer audacity of the premise and execution. This is Anno before he became a household name, playing with form and absurdity without apology.