Nobody talks about this one. That needs to stop. Mado is a 1965 experimental short that moves like nothing else from its era, no dialogue, no linear story, just pure visual comedy that trusts you to read abstract shapes and motion the way you read a face. Yoji Kuri built something that feels alien and immediate at the same time, a five-minute proof that animation could be absurdist art without apologizing for it. It's the kind of film that makes you realize how much anime animation later borrowed from this moment without ever crediting it. If you've ever wondered what animation looked like when someone decided the rules didn't apply, this is the answer. The shortness is a feature, not a limitation, it leaves you wanting to rewatch it immediately, which is exactly the point.

Mado, whose title translates to window, is a brief experimental animated film that Yoji Kuri created in 1965. The film runs as a single short piece and is classed as a comedy.