A circle and a square chase each other across a black void for seven minutes, and somehow that's enough. The entire vocabulary of animation collapses down to the simplest possible shapes and movements, then the show builds a complete world out of what's left, no dialogue, no plot machinery, just two forms learning what they can do together. It's the sound design that saves it from being a visual exercise; every footstep and collision becomes the whole story.

Geometric forms break free from their original shapes and scatter across the screen in constant motion. A dozen simple pieces, cut from a circle and a square, come together into a range of figures and chase one another in slapstick fashion. The film riffs on the old Chinese tangram puzzle, reshaping its pieces again and again. The animation is deliberately minimal, stripped down to simple figures, movement and sound, and it draws its comedy from the way these pieces transform. Viewers drawn to experimental animation will find a playful exercise in shape and motion.