Two geometric shapes meet on screen. A triangle. A circle. No dialogue, no plot machinery, just the raw visual language of how two people from completely different worlds recognize each other. Shigenji Ogino built this entire film around that single moment of connection, and the kinema color technique turns it into something that feels less like animation and more like watching paint dry in real time, which is exactly the point. The technical roughness isn't a flaw; it's the texture of witnessing something being invented. This is cinema before cinema knew what it was doing, and it demands your full attention because it asks nothing else of you.

Two figures move through colored light: a sharp-edged man from the city and a rounded woman from the countryside. Their meeting is told through movement, with a triangle standing in for him and a circle for her. Director Shigenji Ogino tried to give the film natural color using the kinema color process. Because the work is an early one, that process is not yet refined, and rapid red and green frames flash for the whole running time. Viewers who are sensitive to flashing light should take care before watching.