A vampire aristocrat refusing council orders to raise a foundling alone feels absurd until you realize the show means it completely. The animation breathes with deliberate, almost painterly color work that makes mundane moments (feeding a baby, folding clothes) feel as consequential as supernatural intrigue. It splits you between two stories that never quite mesh, but the characters pull you through anyway, the childcare subplot has genuine warmth that most anime wouldn't risk, while the conspiracy unfolds with enough style to justify staying.
Dali Delico stands at the pinnacle of vampire society, a prestigious council member with an enviable future ahead. Everything changes when his colleagues arrive at his estate to drag him back to his duties, only to discover him occupied with an unexpected responsibility: raising a human infant. The three visiting vampires find themselves roped into the chaos of childcare, a task entirely foreign to beings accustomed to commanding power and prestige. But domesticity masks a darker current. A series of brutal murders targeting vampires spreads across the city, and whispers point toward Pendulum, a shadowy organization with every reason to want Dali dead. His connection to the group runs deep and personal, tangled in a past he'd rather leave buried. Now Dali must balance the impossible demands of nurturing a helpless child while navigating threats that could unravel everything he's built. What begins as comedic mismatch between aristocratic vampires and infant care becomes a race against time to uncover who's hunting them and why Dali received the orphaned child in the first place.