Anime Like GOOD-BY ELVIS and USA
Keiichi Tanaami doesn't make a music video about Elvis, he makes one that moves like Elvis, hallucinates like Elvis, dissolves into pure color the way a voice dissolves into legend. The animation isn't illustrating the song; it's becoming it, frame by frame, a visual nervous system built for sound. This is experimental filmmaking dressed as a tribute, and it will either crack you open or leave you completely cold.
SYNOPSIS
A visual journey set to music, this 1971 work captures the spirit of Elvis through a kaleidoscopic lens. Director Keiichi Tanaami channels the energy of rock and roll into a psychedelic experience that treats the screen like a canvas in constant flux. What emerges is less narrative and more fever dream, where color, motion, and sound collide to evoke the mythology surrounding Elvis and American culture itself. The piece oscillates between reverence and critique, wrestling with what it means when an icon fades from the spotlight. There's electricity in the imagery, a restless quality that refuses to settle into easy answers.
