A cop who solves problems by destroying everything in a three-block radius. The show doesn't apologize for any of it, doesn't slow down to explain itself, doesn't care if you think the violence is tasteless. It's 1990 anime deciding that American excess deserves to be cartoonish, and every frame commits to that joke without winking at the camera.
Fresh off the plane from Japan, Daizaburo Edi-Ban arrives at New York City's most chaotic police precinct ready to uphold the law with honor and professionalism. His first day pairs him with John "Mad Bull" Estes, a cop whose approach to justice makes the rulebook look like a suggestion. Mad Bull shoots first and asks questions never, demolishes city property with casual indifference, and operates in the gray area between right and wrong so often that the gray area has become his home address. As Daizaburo tries to maintain his integrity while riding shotgun with a human wrecking ball, he discovers something troubling: Mad Bull's chaos actually works. The bodies pile up, the property damage balloons, and the precinct captain pulls his hair out, but somehow the neighborhood gets safer. Daizaburo must figure out whether his partner is a genius playing the system or a maniac who happens to stumble onto good outcomes. Raw '90s action comedy that treats police protocol like a punchline and turns urban crime-fighting into controlled mayhem.