Maria watches soldiers die and decides to stop it herself. That gets her flagged by heaven, cursed with a deadline, and assigned an angel babysitter who actually starts to understand why she won't stop. The show treats her refusal to accept "that's just how war is" as both heroic and genuinely dangerous, never letting you choose between admiring her conviction and fearing what it costs her. Comedy lives in the chaos of her succubus and incubus arguing about seduction strategy while Maria just wants to prevent massacres. By the end you realize the real war isn't between nations, it's between Maria's power and the forces that want her powerless because her existence proves there was always another choice.
Maria wields magic powerful enough to halt armies, and she uses every ounce of it to stop the senseless slaughter consuming medieval France. Her interference in battle after battle catches heaven's attention, prompting the Archangel Michael to impose an impossible condition: the moment Maria loses her virginity, her powers vanish completely. Enter Ezekiel, a beautiful angel dispatched to monitor the witch and prevent her from casting spells in public. The catch is Maria has no intention of playing by celestial rules. Caught between her conviction that stopping war justifies any rule-breaking and an increasingly frazzled angel trying to keep her in line, Maria navigates a strange friendship with divine oversight. Her succubus and incubus companions add chaotic energy to the mix, scheming their own plans while their master pursues what she believes is right. The result is a comedy that finds humor in the clash between heavenly authority and earthly rebellion, all while asking whether absolute power should ever serve absolute pacifism. What starts as a premise built on a joke becomes genuinely heartfelt as relationships deepen and motivations complicate.