Hazuki walks into a flower shop and falls for a widow, then discovers her dead husband's ghost is still there, watching. The show doesn't choose sides between the living man and the dead one, doesn't let you off easy by making grief something you overcome. What makes it unbearable is that all three of them are right, all three of them are trapped, and love doesn't fix any of it.
Hazuki falls for Rokka the moment he sees her working in her flower shop, so he takes a job there hoping to get closer to her. What he doesn't expect is learning she's a widow still processing grief over her husband Shimao. That alone would be complicated enough, but then Hazuki discovers something stranger: Shimao's ghost is still lingering in their apartment, visible only to him. Now caught between his growing feelings for Rokka and her unresolved connection to her departed husband, Hazuki finds himself in an impossible position. Shimao, stuck between worlds and watching the man who wants to replace him circle around his widow, becomes an unexpected rival. The three of them navigate a relationship that shouldn't exist, where love becomes tangled with loss, jealousy with acceptance, and moving forward with holding on. This is a quiet romance that treats grief and supernatural elements with equal weight, creating something that's part love story, part ghost story, entirely melancholic. It asks what happens when three people want different things but are bound together anyway.