Shima Kosaku is a typical office worker grinding through the corporate routine: meetings, deadlines, the slow suffocation of cubicle life. Then something shifts. In moments of pure absurdity, he starts to move. Not in the way normal people move, but in ways that defy physics and logic entirely. His body contorts. His limbs bend wrong. Reality bends around him just enough to make the ordinary ridiculous. These sudden, inexplicable movements become the lens through which we see his world. What should be mundane becomes surreal. A commute to work transforms into something genuinely weird. An office romance plays out under the shadow of Shima's unpredictable body acting on its own terms. The show treats his condition with deadpan comedy, never explaining it, never dwelling on trauma. Instead, it asks: what happens when you're stuck in an office job and your body becomes your own stranger? Shima keeps showing up to work anyway, because that's what salarymen do. Comedy lives in that gap between the impossible happening and simply pressing forward.