Nobody talks about this one. Oofuji strips the Genesis story down to its emotional skeleton, two people discovering consciousness, shame, expulsion, and lets watercolor hold the weight instead of spectacle. The film moves like a prayer, not a narrative. It's the ancestor to everything Oofuji would do later with ghosts and whales, but here he's painting the first humans learning what it means to lose innocence, and there's nothing else on film quite like it.

An animated film that retells the biblical story of Adam and Eve as a drama. It is Oofuji's first film made entirely in colour, and its visual style points ahead to his later works Kujira (1952) and Yuurei-sen (1956).