Ao's entire personality is built on avoiding boys because of her father's reputation, then she meets someone who treats her like a person instead of a punchline, and the show actually earns every moment of chemistry between them. The comedy works because it's built on real misunderstandings and character specifics, not just generic fanservice beats. What starts as a girl running from her circumstances becomes a girl learning to stop running.
Ao Horie has a problem: her father writes pornography for a living, and she's convinced that anyone who finds out will judge her by association. Her solution is simple,avoid people entirely and focus on academics. She plans to escape to a distant university, leaving her embarrassing family legacy behind. That plan crumbles when Takumi Kijima, an effortlessly charming classmate, decides she's the most interesting person in school. He's relentless in his pursuit of her attention, constantly creating situations that force Ao to acknowledge him while simultaneously flooding her mind with thoughts she desperately wants to suppress. The more he pushes, the more her carefully constructed walls begin to crack. What unfolds is a comedy about two teenagers talking past each other while their feelings refuse to cooperate with logic. Ao wants solitude and perfect grades. Takumi wants her company. Neither gets what they expect. Fast-paced and frequently absurd, the show finds humor in the collision between Ao's repression and the chaos that follows whenever Takumi enters her orbit.