A tomboy in 1918 Japan decides her own life before the world decides it for her, and the movie refuses to let you catch your breath while she's doing it. Comedy that commits to its own chaos, romance that earns its punch through sheer momentum rather than lingering drama, period details that feel lived-in instead of decorative. By the time you realize what the film is actually about, it's already made you care about whether this girl gets to stay wild.
Benio Hanamura refuses to play the role her family expects. It's 1918, and while other girls her age prepare for arranged marriages, this spirited seventeen-year-old scales trees, practices kendo, and tears through life with two loyal friends in tow. She's loud, stubborn, and completely comfortable being the odd one out in her Taisho-era world. But independence has limits. When her parents arrange a wedding with a mysterious military officer, Benio's carefree days collide with the weight of duty and family honor. What unfolds is a tender, chaotic journey through love, loyalty, and what it really means to choose your own path. The film balances comedy with genuine emotional stakes. You get the joy of watching Benio's antics with her friends, then the gravity of wartime Japan pressing in on youthful freedom. It's period romance that doesn't lean on melodrama, instead building something real from the friction between tradition and a girl determined to write her own story.