A 12-year-old inherits a mansion and 100+ maids overnight, and the show treats this absurdity with zero irony. The comedy lives in watching him get steamrolled by genuine affection from girls who exist purely to service his life, each one a different flavor of maid fantasy played completely straight. It's harem comfort food before comfort food was a genre, all gag timing and character-specific embarrassment with no pretense of actual story.
Twelve-year-old Taro arrives in Tokyo after his mother's death, expecting a quiet life with his grandfather. Instead, he inherits something far more complicated: a sprawling mansion and a battalion of devoted maids numbering in the hundreds. These women are trained, efficient, and absolutely committed to fulfilling his every need around the clock. What begins as overwhelming chaos quickly becomes Taro's new normal as he navigates daily life surrounded by maids with wildly different personalities, skills, and motivations. Some are competent professionals, others are quirky specialists, and many seem more interested in getting close to their young master than maintaining proper servant etiquette. The comedy erupts from the constant clash between Taro's attempts at normalcy and the maids' relentless devotion to service. He's caught between gratitude for their help and the absolute absurdity of his situation, while the mansion itself becomes a character, full of secrets and surprises. This is comfort-zone comedy meets romantic mishap territory, where the setup is ridiculous enough that character interactions drive everything forward.