Nobody talks about this one. A girl draws herself out of existence frame by frame, and the song doesn't stop her. The video moves like she's fighting the music itself, like every line she puts down is both salvation and erasure. YOASOBI built a song about control that feels completely out of control. Kiyokawa animated it so you feel the pencil strain in your chest. By the end you're not sure if the girl escaped or just stopped trying.
A single music video that imagines life as something paintable, changeable, utterly within reach. YOASOBI's haunting track soundtracks visuals that follow someone confronting the weight of their choices and the paths not taken. Director Asami Kiyokawa builds something quietly devastating: moments of color bleeding into monochrome, hands reaching across impossible distances, the constant suggestion that if only you could rewind, redraw, rewrite. The song itself becomes a meditation on regret and possibility. What if the life you're living isn't fixed? What if every mistake, every wrong turn, could be undone with the right stroke of a brush? The imagery doesn't offer easy answers. Instead it sits with that ache, that hunger to control something that fundamentally resists control. This exists in two versions: the original Japanese release and an English-language adaptation that carries the same weight in different words. Either way, it's a piece that sticks with you long after it ends, less a simple music video and more a moment of artistic clarity about what it means to want your life to be something other than what it is.