You're looking at three minutes of pure aesthetic futurism that doesn't need a story to justify existing. Momose Yoshiyuki takes the NEXUS-2060 concept and renders it with the kind of meticulous detail usually reserved for feature films, every frame a postcard from a future that feels lived-in rather than invented. Capsule's synth-pop anchors the visuals; the song and animation don't just match, they become the same thing.
In the year 2060, humanity has built NEXUS-2060: a luxury space station resort suspended above Earth, where the wealthy escape gravity itself. But this floating city is more than a getaway. It represents a vision of the future where technology and leisure merge into something transcendent, where the boundary between dream and reality dissolves in the weightlessness of orbit. Capsule's "Aeropolis" soundtracks this vision with electronic precision and atmospheric depth. The animation captures the sleek geometry of the station, its crystalline structures catching starlight while Earth rotates below. Every frame pulses with a sense of wonder and isolation, the loneliness of the void tempered by the promise of connection and escape. This is a work for those drawn to speculative futures rendered in pristine detail. It's meditation on progress and desire, wrapped in a capsule of sound and image that lingers long after the final beat. The piece asks what we're building toward, and what we might lose in getting there.