A washed-up guitarist gets dragged into show business by a man who insists he play recorder instead, and somehow this absurd premise becomes the entire joke. The comedy lives in that collision: Piyohiko's desperation versus Jaguar's bizarre logic versus the sheer audacity of trying to make a recorder career work in the music industry. This is the kind of movie that exists in the margins, forgotten by everyone except the people who actually watched it and can't stop laughing at how stupid it commits to being.

Piyohiko is a luckless guitarist still finding his feet in music when a mysterious man named Jaguar comes into his life. Jaguar offers to guide him into the music business, but there is a catch: Piyohiko has to give up the guitar and play the recorder instead. The result is a comedy film built around music and one very odd career path.