A single minute of animation that moves like it's been waiting decades to exist. Tatsurou Ogata treats a music video like a manifesto, every frame built to fracture and rebuild itself in sync with VALIS's refusal to let a single moment breathe. The song doesn't accompany the animation. The animation surrenders to the song. This is what happens when a director stops treating music videos as a secondary format and treats them as the primary one. You watch this once and understand why some people make art for smaller rooms instead of bigger stages.
A music video directed by Tatsurou Ogata for the original song Shinsekai Pygmalion by VALIS.