A single minute of animation that moves like it's been waiting decades to exist. Tatsurou Ogata treats a music video like a manifesto, every frame built to fracture and rebuild itself in sync with VALIS's refusal to let a single moment breathe. The song doesn't accompany the animation. The animation surrenders to the song. This is what happens when a director stops treating music videos as a secondary format and treats them as the primary one. You watch this once and understand why some people make art for smaller rooms instead of bigger stages.

Shinsekai Pygmalion is an original VALIS song, and Tatsurou Ogata directed this animated music video for it.