The film peels objects down to their bare skin, floats the skins in nothing, sticks them onto other things, and makes you watch it all happen frame by frame like time itself is drowning. Every shot stretches into forever even though nothing moves. You leave feeling like you've watched something ancient perform the same ritual over and over, and the music won't leave your head for days.

A room exists in a state of perpetual transformation. The skins of the objects inside it are peeled away, left to hover in midair, and then pressed onto other things in the space. Nothing stays itself for long. Takashi Ito made the film entirely frame by frame using long exposures, building on an idea he first tried in his earlier work GHOST. He gives the title the meaning 'as if to do forever'.