A filmmaker points a camera at a single pillar outside his dormitory entrance and lets the image twist itself inside out. Left and right spaces bend and warp, creating disorienting perspectives that feel more like looking at a warped painting than watching a door. The composition splinters across the frame, pulling your eye in contradictory directions at once. Takashi Ito assembles the short from a great many photographs, the same method he used for SPACY and BOX, and it closes on a burst of violent motion. Yet there's poetry in that final rush, a strange beauty in watching a familiar doorway come apart. Experimental cinema pared down to a single fixed point, it will appeal to viewers drawn to visual abstraction and to artists curious about how film can bend perception.