The joke is that you're watching a tired office worker debug superhumans like they're software while her evil organization keeps losing to the same five heroes every week. Kuroitsu's deadpan exhaustion in a middle-management position nobody asked for lands harder than most workplace comedies because the workplace happens to manufacture world-ending threats. You need to know your tokusatsu to catch every reference, but you don't need to know anything to watch her slowly break under spreadsheet pressure while her bosses demand impossible things on impossible timelines.
Kuroitsu works in the monster development division of Agastya, a shadowy organization locked in eternal conflict with the world's heroes. As an assistant researcher, she's responsible for designing and refining the superhumans that fight on the front lines, but her job is anything but glamorous. Her days consist of managing impossible deadlines, appeasing demanding supervisors, juggling budget constraints, and somehow delivering combat-ready creatures that actually function in battle. The heroes keep winning, resources keep dwindling, and nobody seems to care that she hasn't taken a day off in months. What unfolds is a comedy about corporate dysfunction masquerading as supervillainy. Kuroitsu navigates meetings, prototype failures, and increasingly ridiculous feature requests from her higher-ups, all while trying to keep morale alive in a department that's perpetually understaffed and underfunded. The show finds humor in the gap between ambition and reality, treating office politics and creative frustration as the real battle. It's workplace comedy wrapped in a fantasy setting where your commute happens to involve interdimensional travel and your coworkers are monsters.