A genuine otaku gets isekai'd not to save the world, but to sell anime figurines to elves. The premise alone is stupid enough to work, and the show knows it, every joke lands because it's never trying to be anything bigger than "what if we made fantasy creatures into weebs." Shinichi's actual superpower is just having taste, which means the comedy comes from him explaining why a tsundere character design works to a confused dragon, not from overwrought fantasy stakes. The final episodes rush through their plot like they're late for a convention, but by then you're already sold on watching an otaku become a cultural missionary to a world that didn't ask for it. This is comfort food for people who've argued about anime on the internet, it validates every obsessive conversation you've ever had by making it the entire premise.

Shinichi Kanou is a shut-in otaku, the son of a light novelist and an adult game artist, with no special talent beyond a deep knowledge of moe. After applying for a job, he is carried off to the Eldant Empire, a fantasy realm of elves, dwarves and dragons. There the Japanese government gives him an unusual assignment: act as a moe missionary and spread otaku culture across the land. Backed by the government, he meets a palace guard with fujoshi tastes, the half-elf maid Myucel and the young empress Petralka, and he hits on the idea of opening a school. The early episodes play as comedy, but serious problems soon surface, including ethnic discrimination, social class divides, political conflict and the threat of war. Shinichi also begins to wonder whether he is an invader in this world.