The genius is that both sides are incompetent in exactly the same ways, just aimed at opposite goals. Love Pheromone wants to save the world but burns down buildings doing it; the Gedou Otome-Tai wants to destroy it but ends up volunteering at soup kitchens. The show commits completely to the bit that evil and good are just two groups of broke girls trying their best and failing spectacularly together. Every episode flips the perspective and finds new comedy in the same premise, never punching down at either side. This is a show that understands parody isn't about mocking the genre, it's about finding the absurd humanity in people who chose the wrong job. Nobody talks about it because 2005 was crowded, but it deserves to sit next to the comedy classics that actually lasted.

Two groups of women share the spotlight in this comedy, which alternates between their stories. Love Pheromone, the duo of Aimi and Kaoruko, are struggling comedians who take up work as heroines of justice to make a name for themselves, but every villain they defeat leaves only ruins behind, and people start to fear them. Meanwhile, the five Hokke sisters, orphaned daughters of a man who served an evil organization, set out to fulfill his wish that they become true villains. After a devil emerges from a sealed jar and awakens their powers, they fight as the Gedou Otome-Tai, yet they keep ending up helping others. Both teams are poor, scraping by as they chase very different goals: fame on one side, becoming the greatest evil on the other.