The premise hits harder than the execution deserves: a city built on artificial people, policed by a woman who's half-machine herself, all while the system designed to save humanity becomes the thing threatening it. That friction between concept and presentation, where the ideas are genuinely compelling but the storytelling stays surface-level, somehow makes it feel more like a real 80s artifact than a polished product. Watch it for the moral knot at the center, where nobody's actually wrong, just fundamentally opposed in what survival means.
In humanity's final hours, Olympus stands as the last refuge from a world consumed by nuclear fire. The city survives through an uneasy bargain: half its population consists of Bioroids, artificial beings designed to coexist with the humans they serve. A vast computer intelligence maintains order, preserving what remains of civilization through careful control. But peace is fragile. Extremist factions within the military reject this arrangement, viewing the Bioroids as an abomination that will only lead humanity toward extinction. They move in the shadows, plotting to destabilize everything the city has built. Standing against them is Deunan Knute, a soldier hardened by decades of combat. She and her partner, a man more machine than flesh, fight to hold Olympus together as violence erupts from within. Caught between preserving an imperfect peace and surrendering to war, Deunan must confront impossible choices about what humanity is worth saving and whether survival matters if it costs them their souls.