Sirius dies before the opening ends. This isn't the TV series anymore, it's a grief film pretending to be mecha action. The recut focuses everything inward, on a love story so old it predates the people living it, on Apollonius and Reika across twelve thousand years of separation. A flower-studying segment sits in the middle of this tragedy like a memorial. The movie knows you came for robots. It gives you mythology instead. By the end, you understand why the past matters more than anything happening now.
Twelve thousand years of history collide when ancient enemies rise to reclaim the world. Apollo and his friends pilot the massive robot Aquarion, a machine born from human souls merging into a single unified consciousness. Their enemy is Sirius, a mysterious force tied to a catastrophe that destroyed civilization millennia ago. As the present-day conflict intensifies, fragments of the past emerge. Apollo discovers his own history is far more complicated than he realized, while the girl he cares for carries within her the memories of someone who lived when the world was young. The truth behind Aquarion itself becomes the key to understanding whether humanity can survive what's coming. Part spiritual war, part personal mystery, the story weaves between battles in the sky and revelations buried in time. The stakes aren't just about saving today's world, but understanding why two souls have been chasing each other across the ages. Every merger of pilot and machine brings them closer to answers that could reshape everything.