A man gets forced into drag as a Broadway starlet while demons lurk in 1920s New York, and the show treats both with equal commitment. The Star Division chasing him across the boroughs is pure chaos comedy, but the supernatural stakes never quite go away. This is a show that knows it's ridiculous and leans into it anyway, which means you either surrender to the absurdity or you don't, there's no middle ground.
Peace has returned to 1920s New York City, but the Little Lip Theater's owner has other plans for Shinjiro: he's going to star in the production of Cleopatra, whether he likes it or not. The catch is that he'll have to perform in full drag as the legendary Egyptian queen. When Shinjiro balks at the assignment, the Star Division members scatter across the five boroughs to drag him back for rehearsals, turning the city into their personal stage for chaos and comedy. Their theatrical troubles take a darker turn when a mysterious young man arrives in New York with vengeance burning in his eyes and the Statue of Liberty locked in his sights. As rehearsals spiral into madness, Shinjiro and the division must juggle opening night preparations with defending the city from this new threat. Part screwball comedy, part supernatural action, the story weaves together vaudeville ambition and supernatural danger, asking whether a reluctant cross-dressing lead can save both his show and his city.