A delinquent trying to be better keeps getting read as a threat until someone actually looks at him. Nanako sees the real Eiji immediately, and from there it's just two people being quietly, genuinely themselves around each other. The show costs almost nothing to make, and somehow that makes the tenderness hit harder, like you're watching something real instead of something designed to be beautiful.
Eiji spent middle school as a genuine delinquent, but high school is his fresh start. He joins the literature club with genuine intentions to change, except his natural scowl and perpetually angry-looking eyes sabotage every first impression. His senryu poetry doesn't help much either. Then he meets Nanako, the club's silent wordsmith who communicates exclusively through senryu. She's weird, energetic, and completely unbothered by Eiji's intimidating appearance. When the club president notices their chemistry and starts playing matchmaker, something unexpected happens: two people who struggle to connect with the world find each other through the constraints of a five-line poem. What unfolds is a romance built on misunderstandings, self-improvement, and the strange intimacy of sharing poetry. Eiji discovers that changing how people see you means first changing how you see yourself. It's comedy rooted in genuine awkwardness, warmth built on acceptance, and the realization that sometimes the person who understands you best is the one you'd least expect.