A Japanese rock band gets framed for murder in London and the entire plot dissolves into pure absurdist momentum, like someone fed a heist thriller into a synthesizer and let it play at double speed. The characters barely matter; they're just vehicles for bizarre set pieces, nonsensical chase logic, and a genuinely great soundtrack that somehow makes the chaos feel intentional. This is what happens when early 90s anime optimism collides with a premise nobody took seriously, and the result is so charmingly weird that it stops being a weakness.

Japanese rock band Ziggy travels to London, and after a recording session the members are ambushed when they reach their hotel. They only just get away, then learn that their producer has been killed and that they are now the suspects. With the police and a mysterious organization both on their trail, Ziggy takes cover among local rockers in the city and even plays a show there. The break does not last, as their pursuers soon catch up with them again. The film is a musical adventure with a mystery at its center, built around a rock band on the run in a foreign city.