The comedy machine never stops running, and when it pivots to something earnest for five seconds, you're already laughing at the next bit. Classical music becomes the punchline and the setup simultaneously, turned inside out through sheer visual chaos and character stupidity that somehow always lands. Mozart and Beethoven as aggressively lovable idiots who summon giant robots and light shows to make your hometown care about Chopin again is the entire joke, and it's funny enough that you don't need anything else.

Kanae Otowa's father has spent the family fortune and vanished, and now the family mansion, Otowakan, faces foreclosure. Kanae has to evict the remaining residents: her friend Sousuke Kagura and two odd men claiming to be her father's acquaintances, Mozart and Beethoven, somehow brought back to life and now calling themselves Motes and Beethes. When Beethes discovers a strange power called mujik, classical works reworked in modern styles that can summon giant robots and dazzling light shows, the mansion is spared demolition. Other composers soon turn up, including Chopin, Liszt and Schubert, while a mysterious Bach schemes from across the city. The result is a music comedy about whether these Classicaloids are friends or foes.