Obsession becomes a physical thing that cannot be stopped. The priest hides under the bell thinking distance is a solution, but the woman's desire has already transformed into something bigger than either of them can escape. Kawamoto builds this as quiet tragedy, not spectacle, which means the real horror is watching two people destroyed by a feeling neither asked for.
A Buddhist priest's quiet life shatters when a woman becomes consumed by an all-consuming passion for him. Her infatuation grows darker with each rejection, transforming from desperate plea into something far more sinister. Unable to bear his refusal any longer, she abandons her human form entirely, becoming a massive serpent driven by rage and longing. The priest seeks refuge beneath the temple's great bell, hoping the sacred space will protect him from her wrath. But her desire burns too intensely to be contained by walls or ritual. What follows is a haunting confrontation between human emotion twisted into something monstrous and the fragile sanctuary of faith itself. Kawamoto blends stop-motion and traditional animation to create a visually unsettling journey through an ancient legend, where passion becomes destruction and love warps into something that devours everything in its path. The film captures the horror of obsession with striking, dreamlike precision, leaving viewers suspended between sympathy for both the hunted and the hunter.